Named translation · pāsurams 3134–3144

The daughter’s longing for thulasi in Tiruvāymoḻi 3134–3144

In Hart’s translation, a mother reports her daughter’s longing for the divine thulasi garland and links that desire to cowherd, Krishna, boar, and Rama imagery. The daughter’s speech is therefore mediated: readers hear a maternal account of devotional love-sickness rather than an unframed first-person confession. The unit supports analysis of voice, desire, and divine signs, not diagnosis of a historical person or proof of a specific domestic event.

Direct answer

How does the mother frame the daughter’s longing for the thulasi garland?

In Hart’s translation, a mother reports her daughter’s longing for the divine thulasi garland and links that desire to cowherd, Krishna, boar, and Rama imagery. The daughter’s speech is therefore mediated: readers hear a maternal account of devotional love-sickness rather than an unframed first-person confession. The unit supports analysis of voice, desire, and divine signs, not diagnosis of a historical person or proof of a specific domestic event.

Passage map

What the translated unit contains

The mother consistently supplies the frame through which the daughter is encountered.

The thulasi garland anchors longing in a material and devotional sign.

Cowherd, boar, and Rama references identify several narrative registers within the unit.

Place and poetic voice

No single terrestrial place controls this unit; any cosmic, domestic, or natural setting remains part of the translated poetic scene.

A mother narrates and interprets her daughter’s words, bodily signs, and desire for the divine garland.

Divine names and identity relationships

  • Kaṇṇan
  • Rama
  • Māyan
  • Thirumāl

Kaṇṇan, Rama, Māyan, Thirumāl are indexed as names or related figures occurring in this unit. Co-occurrence does not make them context-free synonyms; identity is asserted only where the translated passage itself relates them.

Devotional context

The unit develops maternal mediation of a daughter’s longing; thulasi garland as desired divine sign; cowherd and avatar narratives within love-sickness within a translated devotional-poetic frame.

Mediated poetic love-sickness

Clinical or biographical case report

The translation establishes the literary frame and supplies no diagnostic interview, patient history, or historical identification.

Does not establish

The unit does not establish the daughter’s historical identity, diagnose illness, prescribe thulasi medically, or prove that the narrated household scene occurred as biography.

Evidence layers

Five kinds of authority remain separate

Primary text
Pāsurams 3134–3144 identify the printed unit. This guide does not reproduce or claim to establish the critical Tamil wording.
Named translation
Every passage observation is bounded to Kausalya Hart’s English rendering and retains the exact numbered locator.
Scholarship
Attributed scholarship supplies literary and reception context; it does not silently rewrite or certify the passage.
Historical inference
Dating, institutional continuity, social practice, and material history require independent evidence and are not inferred from this unit alone.
Theology
Divine identities, promises, polemics, and supernatural acts are reported as claims made within the poem, not as externally certified facts.

Questions this passage guide answers

How does the mother frame the daughter’s longing for the thulasi garland?

In Hart’s translation, a mother reports her daughter’s longing for the divine thulasi garland and links that desire to cowherd, Krishna, boar, and Rama imagery. The daughter’s speech is therefore mediated: readers hear a maternal account of devotional love-sickness rather than an unframed first-person confession. The unit supports analysis of voice, desire, and divine signs, not diagnosis of a historical person or proof of a specific domestic event.

tiruvaymoli-q156 · pāsurams 3134–3144

Which divine names occur in Tiruvāymoḻi 3134–3144?

The named translation uses Kaṇṇan, Rama, Māyan, Thirumāl in this unit. These are occurrence-level forms; the list is not a claim that every name is interchangeable in every text.

tiruvaymoli-q157 · pāsurams 3134–3144

What poetic voice is used in Tiruvāymoḻi 3134–3144?

A mother narrates and interprets her daughter’s words, bodily signs, and desire for the divine garland.

tiruvaymoli-q158 · pāsurams 3134–3144

What themes organize Tiruvāymoḻi 3134–3144?

maternal mediation of a daughter’s longing; thulasi garland as desired divine sign; cowherd and avatar narratives within love-sickness. Each description is bounded to this translated unit.

tiruvaymoli-q159 · pāsurams 3134–3144

What does Tiruvāymoḻi 3134–3144 not establish?

The unit does not establish the daughter’s historical identity, diagnose illness, prescribe thulasi medically, or prove that the narrated household scene occurred as biography.

tiruvaymoli-q160 · pāsurams 3134–3144

Limits

  • The page describes a named English translation; it does not claim that its wording is identical to the Tamil source text or every other translation.
  • A theological claim made by a poetic speaker is evidence about the poem’s discourse, not independent empirical or historical verification.
  • One numbered unit cannot establish the whole theology, chronology, performance history, or reception of the Tiruvāymoḻi.

Still unresolved

  • How do the Tamil wording and other translations handle the key terms in pāsurams 3134–3144?
  • Which commentaries and performance traditions give this unit a different emphasis?

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